#Garageband plugins free aupitch windows#
(by Describes the shape of the windows amplitude (you have to fade out the edges of each block or the FFT function can't do it's thing properly) Resynth Window (Linear 1 - Linear 4, Equal Power 1 - Equal Power 4) (by Analysis Size is the FFT block size (which alters the reported latency)
#Garageband plugins free aupitch full#
(by This is the time the plugin takes to find full wave cycles which it can skip or repeat.
Tightness works against this and forces grains to their correct positions, at the cost of waveform smoothness. (by Ideally, the grains are joined at zero crossings for best sound quality, however, this will throw off the actual timing of a grain by half a grain at worst. Smoothness might well be a crossfade that's applied here. In either case there's potential for clicks at the seams. Since the time must not change, these snippets may overlap when going lower or repeat when going higher. (by Pitch effects usually work by cutting the signal into small snippets or grains that when played back at different speeds make the pitch change. Here's the image and the list of parameters to make our lives easier in this discussion Today I noticed that when we go from the Editor view to Controls view, there's A LOT of controls that just show up.Īnyone here willing to clarify some of them so we can maybe get the most out of this plugin? I just can't use the PitchShifter plugin. These do not necessarily add deepness to a voice, but can make it sound thicker which may be nice to have.It's been a few years since I started using the AUPitch when it comes to final pitching. For delays, try a quite short delay time (under 20ms). These effects can all be used to thicken up a voice. This will probably not sound overly natural.Ĭhorus, Delays (or doublers), Harmonizers Depending on the sound you want, a bit of low-frequency reverb (probably with a fast decay time) can build up the low end of a voice. Reverb plugins sometimes have varied dampening or EQing for the various frequencies. Also a high-shelf or low shelf around these same ranges can be useful.
A bell EQ that cuts around the 1k to 3k range (again - listen and sweep) can take out some brightness. A parametric or bell-shaped EQ that boosts the lower end of the voice (around 200-300hz - sweep it to find the sweet spot) will make a voice sound more bassy and heavy and boomy. Both of these effects will hit the very very boomy deep part of a voice and make it sound more massive.Įqualization is straightforward. Some plug-ins do the reverse and look at mid-frequency sounds and create very low bass frequencies. Several plug-ins create "more bass." Ones like the Maxx Bass by Waves take the very deepest frequencies and add mid-frequency harmonics to them so that the bass is more pronounced. Some pitch shift processes maintain "formant" which means that the fundamental pitch of the sound is lowered, but the overtones and parts of the sound that give it its unique character are maintained - so the effect is that the pitch is lowered but the sound quality does not sound as much like a slowed down record. Even if you have to do other things as well, adding a bit of a pitch shift downward can enhance the effect. Time correction during normal pitch-shift applications can be useful, but listen - sometimes it makes the sound un-natural. Unfortunately, after about a semitone (depends on the source) it just sounds like a record playing slow. Pitching a sound down has the effect of making the sound seem bigger and deeper. There are a number of different vocal effects that can produce a deep voice.
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